Amanda Seyfried

Amanda Michelle Seyfried (pronounced /ˈsaɪfrɪd/ SY-frid; born December 3, 1985) is an American actress, singer-songwriter and former child model. She began her career as a child model when she was 11 and at 15 she began her career as an actress, starting off with uncredited roles and moving on to recurring roles on As the World Turns and All My Children.

In 2004, Seyfried made her film debut in Mean Girls playing Karen Smith, the ditziest of the so-called "Plastics". Her subsequent roles as a supporting character were in independent films like Nine Lives (2005) and Alpha Dog (2006). She also had a recurring role in the UPN TV show Veronica Mars (2004-2006). Between 2006 and 2010, she landed a lead role on HBO's popular television series Big Love. After that, Seyfried appeared in her breakthrough and first leading role as Sophie Sheridan in the 2008 musical feature film Mamma Mia!. Other recent appearances include successful leading roles in Jennifer's Body (2009), Chloe (2010), Dear John (2010), Letters to Juliet (2010), and Red Riding Hood (2011).

During Seyfried's time modeling, she appeared in print ads for clothing companies including Limited Too with Leighton Meester.She stopped modeling when she was seventeen.Seyfried took voice lessons, studied opera, and trained with a Broadway coach while still a teen. She began acting as an uncredited extra in the daytime drama television series Guiding Light. In 2000 until 2001, she portrayed the recurring character Lucy Montgomery on the television show As the World Turns.From 2002 to 2003,
Seyfried played the recurring role of Joni Stafford on the American Broadcasting Company (ABC) broadcasted show, All My Children.

In 2003, Seyfried auditioned to play the role of Regina George in Mean Girls; the role eventually went to Rachel McAdams. While she was initially considered to play the lead role of Cady Heron, played by Lindsay Lohan, the producers of the film decided that Seyfried should play Karen Smith, Regina's dim-witted "Plastic" friend and sidekick. The film was a box-office success, earning over $129 million in its theatrical run. Seyfried's performance in the film earned her, along with Lohan and McAdams, an MTV Movie Award in the category of "Best On-Screen Team".

Seyfried auditioned to play the title character on UPN's television series Veronica Mars. The role eventually went to Kristen Bell, and Seyfried portrayed the title character's murdered best friend, Lilly Kane. Her character was only shown in flashbacks. The creator, Rob Thomas felt that Seyfried's portrayal as Lilly Kane was outstanding that he used her more times in the show than he initially planned in the first season. Seyfried appeared in ten episodes from 2004–2005.

In 2005, Seyfried played the lead character, Samantha, a role written by director Rodrigo Garcia specifically for her, in one of the nine parts in the film Nine Lives, comprising nine short films with different themes and an ensemble cast. For her performance in the film, Seyfried, along with her film's other female leads, won an award from the Locarno International Film Festival, for Best Actress.The same year she played supporting character Mouse in the independent film, American Gun.

In 2006 Seyfried appeared in five episodes on Wildfire as Rebecca and had lead role as Chrissy in the short film titled Gypsies, Tramps & Thieves, by writer-director Andrea Janakas. Seyfried also contributed a minor role as Julie Beckley in Alpha Dog. From 2004 to 2006, Seyfried made multiple guest appearances on television series, including House, M.D., Justice, Law & Order: Special Victims Unit, American Dad! and CSI: Crime Scene Investigation. In 2008, Seyfried also appeared and played a supporting role in the independent short film, Official Selection.

Seyfried has revealed that she suffers from anxiety and panic attacks.

Seyfried's first serious boyfriend was her All My Children co-star Micah Alberti.After their relationship ended, she briefly dated her Alpha Dog co-star Emile Hirsch. In 2005, Seyfried began a relationship with actor and musician Jesse Marchant; their relationship ended in 2008. In 2009 she started dating her Mamma Mia! co-star Dominic Cooper. The couple broke up in May 2010.The media began speculating that Seyfried is dating actor Ryan Phillippe after the pair were photographed together at Kate Hudson's Halloween party on October 30, 2010. Seyfried and Phillippe were together for three months and have ended their relationship. Though as of March 8, 2011, Seyfried said, “I’ve been ’seen’ with him.”

Seyfried stated thet she has dated Alexander Skarsgård.

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Jennifer Joanna Aniston

Jennifer Joanna Aniston (born February 11, 1969) is an American actress, film director, and producer. She gained worldwide recognition in the 1990s for portraying Rachel Green in the television sitcom Friends, a role which earned her an Emmy Award, a Golden Globe Award, and a Screen Actors Guild Award.

Aniston has also enjoyed a successful film career, having appeared in several Hollywood productions. She gained critical acclaim for her performances in the independent films She's the One (1996), Office Space (1999), The Good Girl (2002) and Friends with Money (2006). She has had her greatest commercial successes with the films Bruce Almighty (2003), The Break-Up (2006), Marley & Me (2008), and Just Go with It (2011).

Aniston dated her Ferris Bueller TV costar Charlie Schlatter in 1990, and briefly dated musician Adam Duritz in 1995. From 1995 to 1998, she was romantically involved with actor Tate Donovan[74] and the couple were reportedly engaged.

In May 1998, she began dating actor Brad Pitt. They married on July 29, 2000, in a private wedding ceremony in Malibu. For a few years, their marriage was considered the rare Hollywood success. However, the couple announced their separation on January 6, 2005. Pitt and Aniston were seen together publicly after announcing their separation, even at a dinner party for Aniston's 36th birthday, and friends of the couple had declared they were reconciling. Aniston, however,
filed for divorce on March 25, 2005. It was finalized on October 2, 2005. During this period there was intense speculation in the media that Pitt had been unfaithful to Aniston with his Mr. & Mrs. Smith co-star, Angelina Jolie.

In the following months, the public's reaction towards the divorce was reported in the press. The story became the headline news of media shows such as Entertainment Tonight and Access Hollywood, and made the front-pages of tabloid magazines for years, continuing till this day. 'Team Aniston' and 'Team Jolie' T-shirts appeared, with 'Team Aniston' shirts out-selling the 'Team Jolie' shirts 4:1.[78] Aniston revealed that her divorce prompted her to reach out to her mother, Nancy, from whom she was estranged for nearly a decade. They initially became estranged when Nancy spoke about her daughter on a television show and later wrote a book entitled, From Mother and Daughter to Friends: A Memoir (1999).] Aniston has also stated she was devastated by the death of her longtime therapist, whose work helped make her separation from Pitt easier.Aniston said her relationship with Pitt, which she does not regret, was "seven very intense years together" and that "it was a beautiful, complicated relationship."

After her divorce, Aniston began a relationship with actor Vince Vaughn, with whom she costarred in The Break Up. Relationship troubles were reported in September 2006, followed by a confirmed split in December of that year She dated British model Paul Sculfor for a few months in 2007. In February 2008, she began dating singer John Mayer. The couple broke up in August, but they resumed the relationship in October before splitting again in March 2009. Aniston has had two septoplasties to correct her deviated septum—one which was incorrectly done in 1994 and the second in January 2007. She is the godmother of Coco Riley Arquette, the daughter of her good friends, actors Courteney Cox and David Arquette. In 2007, Forbes rated Aniston as one of the top 10 richest women in entertainment and estimated her net worth to be about $110 million.

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Britney Spears best pop singer female

Following her debut, Spears was credited with leading the revival of teen pop in the late 1990s. The Daily Yomiuri reported that "[m]usic critics have hailed her as the most gifted teenage pop idol for many years, but Spears has set her sights a little higher-she is aiming for the level of superstardom that has been achieved by Madonna and Janet Jackson." Rolling Stone wrote: "Britney Spears carries on the classic archetype of the rock & roll teen queen, the dungaree doll, the angel baby who just has to make a scene." Rami Yacoub who co-produced Spears's debut album with lyricist Max Martin, commented, "I know from Denniz Pop and Max's previous productions, when we do songs, there's kind of a nasal thing. With N' Sync and the Backstreet Boys, we had to push for that mid-nasal voice. When Britney did that, she got this kind of raspy, sexy voice." Following the release of her debut album, Chuck Taylor of Billboard observed, "Spears has become a consummate performer, with snappy dance moves, a clearly real-albeit young-and funkdified voice ... "(You Drive Me) Crazy", her third single ... demonstrates Spears's own development, proving that the 17-year-old is finding her own vocal personality after so many months of steadfast practice." Stephen Thomas Erlewine of Allmusic referred to her music as a "blend of infectious, rap-inflected dance-pop and smooth balladry." Spears later commented, "With ...Baby One More Time, I didn't get to show my voice off. The songs were great, but they weren't very challenging".

Oops!...I Did It Again and subsequent albums saw Spears working with several contemporary R&B producers, leading to "a combination of bubblegum, urban soul, and raga."[136] Her third studio album, Britney derived from the teen pop niche, "[r]hythmically and melodically ... sharper, tougher than what came before. What used to be unabashedly frothy has some disco grit,
underpinned by Spears' spunky self-determination that helps sell hooks that are already catchier, by and large, than those that populated her previous two albums." Guy Blackman of The Age wrote that while few would care to listen to an entire Spears album, "[t]he thing about Spears, though, is that her biggest songs, no matter how committee-created or impossibly polished, have always been convincing because of her delivery, her commitment and her presence. For her mostly teenage fans, Spears expresses perfectly the conflicting urges of adolescence, the tension between chastity and sexual experience, between hedonism and responsibility, between confidence and vulnerability."

Her vocal ability has also been criticized, often drawing unfavorable comparison to her pop rival, Christina Aguilera Critic Allan Raible derides her overdependence in Circus on digital effects and the robotic effect it creates. "She’s never been a strong vocalist..." writes Raible, "Could she handle these songs with stripped down arrangements and no vocal effects? More importantly, would anyone want to hear her attempt such a performance? Does it matter? No. The focus is still image over substance." Her image and persona are also often contrasted to Christina Aguilera. David Browne of Entertainment Weekly observed "Christina Aguilera may flash skin and belly button, but in her music and manner, she's too eager not to offend — she's a good girl pretending to be bad. Spears, however, comes across as a bad girl acting good ... Spears' artificial-sweetener voice is much less interesting than the settings, yet that blandness is actually a relief compared with Aguilera's numbing vocal gymnastics.[141] In contrast, Allmusic comments: "Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs ... Where Christina comes across like a natural-born skank, Britney is the girl next door cutting loose at college, drinking and smoking and dancing and sexing just a little too recklessly, since this is the first time she can indulge herself. Sal Cinquemani of Slant Magazine notes, "The disparity between Aguilera and Spears can't be measured solely by the timbre and octave range of their voices ... [Aguilera's] popularity has never reached the fever pitch of Britney's."

While writing the review for Femme Fatale in 2011, Adam Markovitz of Entertainment Weekly commented on the cultural significance of Spears' voice and music. "We don't ask a whole lot from Britney Spears as an entertainer...we'll still send her straight up the charts simply because she's Britney. She's an American institution, as deeply sacred and messed up as pro wrestling or the filibuster. Musically, though, Spears will always have to measure up to her own gold standards of pop euphony: the operatic slither of 2004's "Toxic" and the candied funk of 2000's "Oops!...I Did It Again." Spears is no technical singer, that's for sure. But backed by Martin and Dr. Luke's wall of pound, her vocals melt into a mix of babytalk coo and coital panting that is, in its own overprocessed way, just as iconic and propulsive as Michael Jackson's yips or Eminem's snarls."

Like other dance-oriented pop stars, it has been widely reported that Spears lip-syncs in concert. Author Gary Giddins wrote in his book Natural selection: Gary Giddins on comedy, film, music, and books (2006) that "among many other performers accused of moving their lips while a machine does the labor are Britney Spears, Luciano Pavarotti, Shania Twain, Beyoncé, and Madonna." Rashod D. Ollison of The Baltimore Sun observes: "Many pop stars ... feel they have no choice but to seek vocal enhancement. Since the advent of MTV and other video music channels, pop audiences have been fed elaborate videos thick with jaw-dropping effects, awesome choreography, fabulous clothes, marvelous bodies. And the same level of perfection is expected to extend beyond the video set to the concert stage. So if Britney Spears, Janet Jackson or Madonna sounds shrill and flat without a backing track, fans won't pay up to $300 for a concert ticket." Giddins adds, "it was reported Britney Spears fans prefer her to lip-sync—despite her denials of doing so (contradicted by her own director)—because they expect flawless digitalization when they pay serious money for a concert."In Australia, NSW Fair Trading Minister Virginia Judge has advised disclaimers be printed on any ticket for concerts which contain any prerecorded vocals. She commented: "There could have been some instances where people actually go and purchase a ticket thinking that they're going to have a live performance ... for some people that means that everything is live, it's fresh, it happens instantaneously, it's not something that's been pre-recorded. You want to make sure that they're actually paying for what they think they're getting."Noting on the prevalence of lip-syncing, Los Angeles Daily News reported "in the context of a Britney Spears concert, does it really matter? Like a Vegas revue show, you don't go to hear the music, you go for the somewhat-ridiculous spectacle of it all".[148] Similarly, Aline Mendelsohn of the Orlando Sentinel remarked: "Let's get one thing straight: A Britney Spears concert is not about the music ... you have to remember that it's about the sight, not the sound." Critic Glenn Gamboa comments her concert tours are "like her life—a massive money-making venture designed to play up her talents and distract from her shortcomings with a mix of techno-tinged sex appeal and disco-flavored flash. And, like her life, it is, more or less, a success.

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Jennifer Lopez "J.Lo"

Jennifer Lopez was born in the Bronx, New York, and raised on Blackrock Avenue in the New York City borough's Castle Hill neighborhood.  She is the daughter of Puerto Rican parents Guadalupe (née Rodríguez), a kindergarten teacher, and David Lopez, a computer specialist, both born in Ponce, Puerto Rico.  Lopez was raised Roman Catholic. She has two siblings, Lynda  and Leslie. Lopez spent her entire academic career in Catholic schools, finishing at the all-girls Preston High School in the Bronx. She financed singing and dancing lessons for herself from the age of 19. After attending Baruch College for one semester, Lopez divided her time between working as a notary public in a legal office, dance classes, and dance performances in Manhattan night clubs. She had a small part in the 1987 film My Little Girl  at the age of sixteen. After months of auditioning for dance roles, Lopez was selected as a dancer for various rap music videos, a 1990 episode of Yo! MTV Raps and as a backup dancer for the New Kids on the Block and their performance of their song "Games" for the American Music Awards in 1991. She gained her first regular high-profile job as a "Fly Girl" dancer on the television comedy program In Living Color  from 1991-1993. Soon after, Lopez became a backup dancer for Janet Jackson and made an appearance in her 1993 video "That's the Way Love Goes".

Lopez's debut album On the 6, a reference to the 6 subway line she used to take growing up in Castle Hill was released on June 1, 1999, and reached the top ten of the Billboard 200. The album featured the Billboard Hot 100 number-one lead single,
"If You Had My Love", as well as the top ten hit "Waiting for Tonight". The album also featured a Spanish language, Latin-flavored duet "No Me Ames" with Marc Anthony (who later would become her husband.) Though "No Me Ames" never had a commercial release, it reached number one on the U.S. Hot Latin Tracks. On the 6 featured guest artists such as Big Pun and Fat Joe on the track "Feelin' So Good", which had moderate success on the Billboard Hot 100.


Lopez's second album, J.Lo, was released on January 23, 2001 and debuted at number one on the Billboard 200. This album was more urban oriented than On the 6. When Lopez film The Wedding Planner, a film in which Lopez falls in love with the groom of the wedding she is planning, achieved number one shortly after, Lopez become the first actress-singer to have a film and an album at number one in the same week.[21]  The lead single, "Love Don't Cost a Thing", was her first number-one single in the United Kingdom and took her into the top five on the U.S. Billboard Hot 100. She followed it up with "Play" which gave her another top 20 hit on the Billboard Hot 100 and reached number three in the UK.

After a year away from the music scene, Lopez released her fourth studio album, Rebirth, on March 1, 2005. Although debuting and peaking at number two on the Billboard  200, the album quickly fell off the charts. It spawned the hit "Get Right", which reached the top 15 in the U.S. and became her second Platinum hit (after "If You Had My Love"). "Get Right" was also successful in the UK, becoming her second number-one single there.
Lopez officially released her first full Spanish-language album, Como Ama una Mujer, in March 2007. Her husband, singer Marc Anthony, produced the album with Estefano, except for "Qué Hiciste", which Anthony co-produced with Julio Reyes. The album peaked at number ten on the Billboard 200, number one on the U.S. Top Latin Albums for four straight weeks and on the U.S. Latin Pop Albums for seven straight weeks. The album did well in Europe peaking at number three on the albums chart, mainly due to the big success in countries like Switzerland, Italy, Spain, France, Belgium, Greece, Germany, Austria, and Portugal.

From her 2007 pregnancy Lopez had been writing her seventh studio album, Love?; release had been planned for Summer 2010.  It features productions from Danja, Jim Jonsin, Darkchild, Chris n Teeb (from Dropzone), Tricky Stewart, The-Dream, D'Mile Mike Caren, Jean Baptiste and The Neptunes. A song titled "Fresh Out the Oven" featuring Miami rapper Pitbull surfaced online in October 2009 but her record label said that it was simply a buzz single. It has since topped the Hot Dance Club Songs chart. The project's official lead single, "Louboutins", had its radio debut on November 23, 2009, following the song's premiere and performance at the 2009 American Music Awards. The song only managed to enter the Hot Dance Club Play  chart six weeks after release and reaching number 1, however, it failed to enter any other chart, including the Billboard Hot 100.

Lopez is one of the highest-paid actresses in Hollywood and the highest-paid Latin actress in Hollywood history, though she's never had a film grossing over $100 million in the USA. She was on The Hollywood Reporter's list of the top ten actress salaries in 2002, 2003, and 2004.  Lopez received $15 million for her role in Monster-in-Law.  Her top-grossing film domestically is Maid in Manhattan  which grossed $94,011,225,  and her most successful international film, Shall We Dance?, grossed $112,238,000, at the international box office. Domestically, Shall We Dance? grossed $57,890,460 and a total of $170,128,460 worldwide.  In 2007, Lopez made the Forbes magazine's list of "The 20 Richest Women In Entertainment," ranking ninth. Her wealth was estimated to be $110 million in 2007.

On January 27, 2010, it was announced that Lopez would guest-star on an episode of How I Met Your Mother as Anita Appleby, a no-nonsense author of self-help books that teach women how to mold men into "relationship machines" through the power of denial. After Robin informs Anita of Barney's womanizing ways, Anita sets out to "break" him.

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